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Set in 12th-century Cairo, Damascus and Jerusalem, this is the fictional memoir of Saladin, the Kurdish liberator of Jerusalem. It is the second in a series of historical novels depicting the confrontation between Islamic and Christian civilisations.

Pakistan, the likely home of Osama Bin Laden and safe house for the Taliban forces fighting NATO in Afghanistan, stands on the front line of the war against terror. Yet, as recent events have shown, this long-time ally of the West and recipient of $10 billion of American aid in the past decade, is in deepening crisis. As President Pervez Musharraf struggles, with ever-diminishing success, to cling to power through states of emergency and imprisonment of his opponents, a range of forces are attempting to fill the vacuum that surrounds him: (before her death) Benazir Bhutto and Nawaz Sharif, both previous presidents themselves and, Ali, argues, more corrupt than Musharraf himself; a lawyers movement that has taken to the streets demanding adherence to the constitution and the rule of law; and the Islamists in Waziristan and the North West Frontier whose increasingly effective assaults on the Pakistan army threaten to tip the country into full-blown civil war. With customary verve and acuity, Ali parses the prospects for these contending groups, drawing on extensive first-hand research and personal knowledge of many of the key players involved to assess the causes and consequences of Pakistan's rapid spiral into political chaos.

Written over the last four decades, these provocative essays and diary entries explore the links between literature, history and politics. Training a critical, imaginative and occasionally a satirical eye on the works of varied writers including Cervantes, Tolstoy, Proust, Joyce, Musil, Roth, Powell, Platonov, Solzhenitsyn, Grossman, Munif, Goytisolo and Rushdie Ali discusses common themes as well as polarities, first impressions and re-readings, always seeking to contextualize the text in the political and historical milieu of its creation. Inviting the reader to share in the frustrations and pleasures of world literature and showcasing Ali s range and polemical verve.

This book is the third novel of Ali's Islam quartet, and is the fictional history of the Pasha family, which mirrors the turbulence and growing degeneration of the Empire. Like its predecessors, its power lies in its lyrical story-telling and the challenges it poses to Islamic stereotypes.