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When a part-time worker in a mental hospital meets his old girlfriend inside he is not sure at first is she is a patient. Their reunion is haunted and haunting, and from the memory of their past affair there unfolds a labyrinth which darkens from romantic obsession to feelings deeper and more disturbing. Colin Thubron creates a world of passion, delusion, and reality mingling with unreality, the all-enveloping sense of longing and of loss.

From the crowd below a journalist watches, as a circus girl performs her strangely daring trapeze act, and is captivated by her beauty, outrageous costumes and exotic make-up in such a way that he finds himself falling helplessly in love with her. But it is from a prison cell that the journalist remembers what happened - a prison like a microcosm of the world outside, where there are those who risk, and those who are self-incarcerated. Exploring the courage to aim beyond human limitation, Falling is an intensely moving story of love and loss.

There was never one Silk Road - but several. The route chosen by Colin Thubron passes through China, Uzbekistan, Kyrgyzstan, Afghanistan, Iran and Turkey, taking in the most sterile desert on earth (the Taklamakan) and the strife-torn mountain valleys of today's conflicts, as he travels from the tomb of the Yellow Emperor (the mythic progenitor of the Chinese people) to the ancient port of Antioch, by local bus, truck, car - occasionally Landrover, horse or camel. He covers 7,000 miles in 8 months, and confesses that it is the most difficult, complex and ambitious journey he has undertaken in 40 years of travel. The Silk Road is a huge network of arteries and veins, splitting and converging across the breadth of Asia. Chinese silk has turned up in the hair of a 10th-century-BC Egyptian mummy; equally, the tartan plaids of 3,000-year-old mummies in the Chinese desert echo those of early Celts. To be travelling the Silk Road, writes Colin Thubron, is to be travelling the history of the world: tracing the passage not just of trade and armies, but of ideas, religions and inventions. Yet - despite the lure of the history - this book is as much about Asia today. Its themes include different Islams (oppressed in China; fervent in Afghanistan and Iran; cautiously monitored in Uzbekistan); contrast (no cities could be more different than ancient Samarkand and modern Teheran); and the way that today's borders are meaningless because the true boundaries are made by tribe, ethnicity, language and religion.