British Council Arts
 British Council Arts
 British Council Arts
 
 enCompassCulture.com
 enCompassCulture.com
 enCompassCulture.com
Start About enCompass Reader in Residence Reading groups Discuss Chat Booklists Author index Help
 *
 *
 *
 Click here to start finding books for adults.
 Click here to start finding books for ages 12-18.
 Click here to start finding books for children.
Click one of the above options to start searching...
 Perform search.
 *
Books Rest of site
 *
READING GROUPS
 * JOIN OUR MAILING LIST  *

Let us inform you of events, news and new features on this site.

Read more

 

 * TALK AMONGST YOURSELVES  *

Why not join in the book discussions on our webboard?

Read more

 

 *

UNDER THE SKIN

Under the Skin…

A manifesto for reader-centred activity in the British Council

_____________________________________________________________________________________________

My books are only complete when they are read. I can only build one side of the arch; the reader

has to build that mirror image of the other side, to complete the process.’ Peter Dickinson

 

This manifesto sets out the case for supporting reading – reading for pleasure; reading for information; reading to learn – within the British Council. It outlines the huge benefits of what educationalist Frank Smith called ‘growing up in the company of authors’; what it is to feel oneself among a community of readers and how the British Council can help its users along their reading journeys.

 

The document is wholly inclusive of all forms of reading: books, for children and adults; magazines, printed information in whatever form and reading from the computer screen. It encompasses fiction, non-fiction, poetry and drama. It makes no value judgements about what is read, embracing both classic and contemporary –  ‘literature with a lower case l’. It recognises the value of any media that enhances or encourages reading – audio books, videos, websites and other formats. It recognises the role of performance in bringing words to people – from storytelling to slam poetry. It defines and advocates ‘reader-centred activity’, the process of assisting readers with their choices; creating opportunities for them to talk or write to each other about their reading and raising the status of the reader as a vital link in the creative chain from the author’s creativity to each new reader’s interpretation. Above all, it demonstrates how reading for pleasure powerfully supports the work of the British Council in so many ways: in language teaching, training, governance, information, arts activity and uniting cultures. Reading is a supreme bridge-builder, a valuable tool for international understanding.

 

The UK is a reading nation. Recent years have seen a burst of new energy in bringing readers

together, not just across the UK but around the world, and it is entirely appropriate that the British

Council should be a part of this trend. Our new emphasis on mutuality underlines our role in

making other cultures and countries accessible to people in the UK – an enjoyable and engaging

way to do this is through reading the literature of the countries in which we work.

I’m a reader, and like most of you reading this, I know the huge enjoyment in a good book.

Sharing that enjoyment, and promoting reading, couldn’t be a "better fit" with what the British

Council wants to do. It builds on the teaching of English, promotes creativity and is a highly

effective tool for mutuality. It’s also a commonsense, cost-effective way of using our resources.

This document contains the kind of examples and practical advice that I know staff in all our

countries will find exciting and welcome enthusiastically. It also highlights the vast range of

resources developed in the UK that are accessible to our offices for use. Pick up on just some of

the ideas and you will be able to build projects that give fresh impetus to our cultural relations work

with our contacts and customers. Read on!’ Terry Toney, Director Educational Enterprises, British Council

 

 

What’s so special about reading?

‘Reading is the only thing that can make you

think and feel simultaneously’ Ford Madox Ford

 

As a tool for building international understanding, reading might at first seem lacking. Partly because reading is – usually – such a private activity, it is easy to overlook the fact that readers are the largest audience of any artform. However, reading brings many benefits, and reader-centred activity has much to offer the British Council. Reading reaches across borders of caste, religion, gender and politics. Reading can provide a safe space in which to explore themes and issues relevant to any society and enables readers to speak more powerfully of the concerns and aspirations of the present. By putting the reader at the centre of the reading process, reader-centred activity acknowledges the value of reading and raises the status of the reader from a ‘consumer’ to artist - the essential link between writer and book. This approach empowers the reader, informs the author and creates a community of readers. Reading the novels and poetry of another country, another time and another world from the reader’s own can get ‘under the skin’ of peoples and cultures, and promoting reading presents the British Council with significant opportunities to achieve lasting impact on generations of readers. Reading, and reader-centred activity, is a social phenomenon.

 

‘Our reader development project was modest, but we soon realised that there was

a huge interest across the country in ways to increase readership and to learn about

the British experience. We therefore decided to reach and involve as many people as possible

from all the areas related to books. We were again favourably surprised because after mailing

Spanish public libraries and a number of schools, the response was so overwhelming that

we had to cancel another mailing planned for bookshops and publishers. 300 people attended

 – the room capacity – with a waiting list of over 60 more. "We have never seen this room so full

of people!" said one of our government officials. "None of the previous ministry-organised seminars

managed to get such a wide response".’ Isabel Fernandez, Arts Project Manager, British Council Spain

 

Reading culture in the UK – a case study in excellence

The UK is currently at the forefront of an international movement promoting reading and reading culture. The importance of reading and its wider benefits in promoting literacy, learning and communication skills, and dialogue between cultures and generations, has been recognised by the Department for Culture, Media and Sport and been awarded significant public funding. UK organisations such as Opening the Book, Branching Out, the Reading Agency and the National Literacy Trust have international and national reputations and are leading change at policy and practitioner level. In 2002 the Audit Commission included ‘evidence of reader development’ among its best practice criteria for local authority library services. In the private sector, schemes to promote reading have been set up by companies such as Orange, Asda and Sainsbury’s as a way of contributing to communities and building brand recognition.

Reader-centred initiatives have grown exponentially across all UK libraries since the mid-1990s. For example, public libraries in Essex exceeded their 2000 target of establishing one reading group in each of the county’s 71 libraries: by 2003 there were over 240 reading groups across the county.

 

What is Reader-Centred Activity?

‘Outside of a dog, a book is a man’s best friend.

Inside of a dog, it’s too dark to read.’ Groucho Marx

 

As its name implies, reader-centred activity – sometimes called ‘reader development’ – puts the reader at the centre of the reading process, and UK reading and literacy movements are built around three simple but powerful behavioural traits:

  • enthusiasm for reading is infectious
  • the best person to enthuse a reader is another reader
  • successful reader-centred projects harness this enthusiasm by giving readers a voice  – encouraging them to select, review and talk about their reading choices.


The UK reading movement has its origins in reader endorsement. Librarians noticed that library users borrowed more books from the returned books section (which was usually prominently on display by the books issue counter) than other sections of the library. The simple fact that these books were borrowed by other readers proved compelling to others. Even now librarians will describe how simple schemes – such as prominent labelling of shelves with ‘Loved it’ and ‘Hated it’ – can prompt astonishingly powerful reactions in readers. From here it’s only a short step to opportunities to talk about books, bringing readers together in reading groups, developing book chains and other reader recommendations and feedback devices and through the use of ICT.

 

‘This is not a novel to be tossed aside lightly.

It should be thrown with great force’ Dorothy Parker

 

Library reading schemes have been significantly successful in targeting and involving diverse, non-traditional audiences including house-bound or disabled people and in building reader communities even in socially deprived areas. Reading schemes with a particular focus have proved especially successful. In Essex libraries the ‘Quick Reads’ promotion has been very successful in getting non-readers to read a selection of popular, very accessible novels. In Derbyshire libraries, a local authority initiative, ‘Book Pushers’, has had outstanding success in attracting that most elusive readership, teenagers. Book Pushers is a word-of-mouth reading advocacy and promotion scheme run by and for teenagers in partnership with library staff. At national level, the ‘Summer Reading Challenge’ aimed at children and young people, is an annual initiative now run in over 80 per cent of the UK’s public libraries every year. The National Library for the Blind (NLB) has developed a pioneering website (www.nlbuk.org/readon ) for readers with sight problems. NLB’s reading promotion schemes include chat rooms and review pages, Fiction Café (an online book club for young people) and downloadable electronic books.

 

 

What can reader-centred activity do for the British Council?

Promoting reading, and reader-centred activity, should not be seen as a single discrete element of the British Council’s work. It has the potential to be all-pervasive, and to affect staff and users alike. There are few, if any, areas of the British Council’s work where reading of some kind cannot make a contribution, and when integrated into other sector programmes, it becomes even more powerful. This manifesto argues for the ‘reading dimension’ to be considered in all stages of strategy and project planning.

 

The ‘cost-benefits’ of reading activities:

· Many British Council staff already read for pleasure. This existing resource is there to be used, and will also give recognition and a sense of ownership.

· Reader-centred projects can make use of existing book stock; additionally, ‘multipliers’ such as libraries and bookshops can provide support, and any purchases can be inexpensive paperback copies.

· Guests such as visiting authors do not normally involve high-cost events.

· Reading activities generate further demand for the English Language Teaching Service.

· Any costs can easily be shared between departments, given the cross-sectoral potential.

· Reading activities uniquely succeed in affecting whole families.

· Reader-centred activities can easily be website-based, creating content and hits to existing sites.

Reader-centred approaches have huge potential for linking reading activity into English language teaching, governance and science projects, information and KLC resources, and wider arts programmes. Reading activity that is complemented by ‘live’ events is especially powerful, and many British Council offices have had considerable success with initiatives of this kind. Below are just a few examples of how reading can be used.

 

In teaching English:

· Learning a new language is the first stage to exploring the literature written in it; encouraging reading in English begins one of the richest ‘literary journeys’ in the world.

· Reading is the best practice for using and developing language skills, increasing vocabulary, improving pronunciation and expression and increasing understanding of idiom.

· Being read to, or reading together, motivates young people. In the UK, shared learning experiences – for example via group reading activities – are at the core of the National Literacy Strategy. (www.standards.dfee.gov.uk/literacy). A 2002 survey of 35 countries showed that England’s primary school pupils show more ‘reading readiness’ and have higher early learning skills as a direct result of reading activities.

· Opportunities for readers to talk to each other, on and offline, validates their own reading. Reading groups are an excellent way of underpinning the reading habit and building (international) communities of readers.

· For young learners, early exposure to the pleasure of reading increases the chances of continued use of English language throughout life. The UK’s ‘Bookstart’ programme (www.bookstart.co.uk ) is based on evidence that children introduced to books at an early age start school with an advantage that can last through life. This national scheme (offering free books to every child and advice to every parent) now reaches 92 per cent of UK babies before one year of age. The scheme is being replicated in many other countries including Japan.

 

In appreciating literature and the arts

Literature and reading are collaborative activities that link easily to other sectors, promote mutual working, and achieve lasting impact at a reasonable cost.

· Creative reading and writing bring the world’s literatures together and offer new approaches to mutuality and intercultural awareness. In particular, fiction, poetry and science writing illuminate the world’s diversity, heritage and plural cultures.

· Live or virtual reading activities (eg reading groups) before, between and after live events can keep project momentum alive and audiences involved.

· Acquiring English language can bring new voices and wider audiences to those who create the literature of their own country.

 

In promoting understanding between cultures

Reading is a valuable tool in two key areas. The first is in exploring personal identity:

· Reading brings understanding. Reading widely yields different perspectives on life, including the reader’s own.

· Reading gives us a sense of cultural identity  – it helps us shape, store, and reflect on our past and our future.

· Reading helps us make decisions, both through information gained, and through models of behaviour.

‘We read to know that we are not alone’ C. S. Lewis

 

The second area is the way reading connects us to each other:

· Reading helps us to see other points of view; it connects us to a wider world, other philosophies and new ideas. It is the original and best ‘mind-expanding substance’. Reading builds bridges between, and insight into, other cultures. It can build tolerance and ‘social empathy’, and therefore supports projects such as ‘Connecting Futures’ particularly well.

· Reading about another country is an ‘antidote’ to today’s world of media sound bites and 30-second news clips; travel reading shows you the real country, and fiction takes you into the mind of its people.

In governance issues

· Reading enables exploration of difficult issues at a safe distance – the book, as one writer put it, as ‘Perseus’s mirrored shield’. Many British Council projects use creative reading and personal testimony, through creative writing, to create a neutral space in which participants from diverse countries can compare and contrast perspectives on and experiences of ‘difficult’ subjects such as conflict and gender equality.

· Reading widely demonstrates that governance issues are experienced worldwide.

  

In building audiences:

By engaging with ‘the mass of readers’ and industries related to them, reader-centred activity deals with potentially huge audiences – much larger than those who could attend British Council events and exhibitions.

 

The effects of reading go beyond British Council premises:

Reading promotion projects can bring together not only one target group but their ‘feeders’ and ‘gatekeepers’ as well. This approach is especially effective for young learners, where reading schemes can involve families, carers and teachers.

· Reading initiatives link naturally to ‘the book business’ – with the potential to involve bookshops, publishers, agents, illustrators, translators, librarians, and literature promoters and programmers. Where British Council projects have linked with these agencies, the ‘multiplier effect’ has greatly increased the impact of reading projects. The British Council has an important networking role to play in connecting professionals with each other and through this, drive changes in policy and internationalise best practice.

In cross-team working

Expertise in literature isn’t a pre-requisite for reader-centred activity – but an inclusive approach is. A key principle in developing reader-centred activity is that it harnesses the reading experiences and enthusiasm of British Council staff in any sector. Using ICT widens the scope of reader-centred activity and brings access to an international community of readers. Online reading diaries, book chains, reading residencies and links to book groups in other countries don’t simply widen reading experiences - they are vehicles for cultural exchange. 

 

 

Making it work in your country

‘From the moment I picked up your book until I laid it down, I was convulsed with laughter.

Some day I intend reading it’ Groucho Marx

 

Success factors

Seven success factors are:

· adapting to where there is already an active reading environment

· respecting those countries with a sizeable literature of their own

· noting different approaches – e.g. the greater ‘formality’ of reading groups in some countries

· recognising the essential nature of UK initiatives and adapting this

· shaping reading activities to suit both offices with libraries, and those without

· recognising the powerful and growing way in which ICT can connect readers

· considering the need for translation.

 

Animating Literature and enCompass websites

Animating Literature is a reader-focused literature strategy for the British Council. This strategy has created more than 20 innovative projects across Europe. The strategy is supported by Literature Department, who provide advice, training and (limited) funding. Although funding is currently restricted to European countries, the strategy has much to offer directorates around the world.

 

Animating Literature strategy is now complemented by a purpose-built British Council online reading resource, www.enCompassCulture.com. EnCompass has been created with British Council audiences in mind and enables project managers to use reading to reach new audiences. The site features more than 2,500 titles, including non-fiction, selected and updated by a team of readers including staff in the Film and Literature Department.

EnCompass’s extensive search options -‘compasses’  – enable users to navigate around the very best titles of the UK and Commonwealth. It supports reader-centred activity by:

· offering the ability to look for books or create reading lists by using any number of search options including genre, special interests and age

· using the ‘pot luck’ to let the compass choose a book for you

· enabling users to join the British Council’s international online book club

· reading and writing book reviews

· chatting with the enCompass Online Reader-in-Residence.

Conclusion

The British Council already has a strong tradition of reading. This work follows on naturally from what has been done before, and potentially involves all staff.

Reader-centred activity reaches all of the current British Council target audiences, and has the ability to reach millions more.

Reader-centred activity is not necessarily expensive. Much can be done on a very small budget and by small displays, activities, redesigns and staff ‘intervention’ with visitors and readers.

People who read are active citizens. From the outset, it is a mark of one’s part in society  – joining a local library as a child, for example, is one of the first acts of citizenship we make. To be active and informed citizens, people need reading skills, and they retain those best by being habitual readers.

People who read are people who are successful. They are key members of the next generation, astute consumers, and thoughtful users of mass media, through their ability and desire to read.

Families who grow up as readers develop bonds, they share the same reading references and cultural connections and they involve extended family members in the process. They are much more likely to stay in touch with children in their teenage years.

Young people in the future need reading too. Whether it is web-based reading, downloaded reading files in portable players, or interactive reading technologies, the experience of story and poetry is a deep and deeply-satisfying human need.

 

Reader-centred activity is one of the supreme bridge-builders:

- between learning English, and learning to enjoy it

- between reading for information and reading for pleasure

- between cultures who share the same reading experience

- between ‘silent readers’ who now talk about their reading

- between children and adults, as they share books together.

 

By building a generation who wants to read, and by sustaining that desire throughout adult life, we bring huge benefits to the people who are our future customers. And through playing a role in this, the British Council will in turn reap sustained and enduring relationships worldwide.

 

Alec Williams, December 2003

 

 *
 *  *  *
 *  *  *
 *
The British Council is registered in England as a charity. Our privacy statement. Our Freedom of Information Publications Scheme.
 *
 *  *  *
British Council Literature Contact us About this site Where to obtain British books overseas Help
© British Council
 *  *  *
 *  *  *
 * Developed and hosted by Artlogic Media Ltd London.  *